中文简介：

这个全新修订版本探索了知名设计杂志《domus》在1970年代的报道，这是一个关键的时代，后现代主义倾向首次被发现，个性化的风格和建筑方法开始崭露头角，全球能源危机将生态意识推到了最前沿，其中重要项目和实践者包括伦佐·皮亚诺、理查德·罗杰斯、黑川纪章，以及开创性的乔治·蓬皮杜艺术中心。

个性和生态意识的崛起

1970年代的设计和建筑转折点

《domus》是伟大建筑师兼设计师吉奥·庞蒂（Gio Ponti）于1928年创立的“生活日记”，被誉为世界上最有影响力的建筑和设计杂志。该杂志以**的创造力和严谨的态度，记录了工业、室内、产品和结构设计的主要主题和运动。

这本全新重印的《domus》1970年代的报道汇集了建筑和设计震荡变化的重要时代特征。这是一个个人主义作为一种新的风格得到发展的时代，我们开始注意到后现代主义倾向的出现。面对全球能源危机，建筑师和设计师在他们的方法中注入了新的生态意识。要想在杂志上刊登作品，它必须具备功能、空间清晰度、知识说服力、相关的原创性和优雅。这些项目和实践者包括仓俣史郎、弗纳·潘顿、乔·科伦坡、理查德·迈尔、福斯特事务所的现代主义建筑以及伦佐·皮亚诺和理查德·罗杰斯的乔治·蓬皮杜艺术中心。

《domus》系列亮点提炼

共七卷，跨越1928年至1999年

超过4000页，介绍了重要设计师和建筑师的杰出项目

原创版面设计和封面，并配有导引和背景说明

知名建筑师和设计师的介绍性文章

每版都附有英文翻译的附录，其中许多文本以前只有意大利语版本

每卷都有列出设计师和制造商名字的综合索引

编辑

夏洛特（Charlotte）和彼得·费尔（Peter Fiell）是知名设计作家，写过60多本相关书籍。在他们的各个专业领域中，包括各种形式的交通设计领域。费尔夫妇曾在世界各地广泛演讲，客座教授课程，策划展览，并为制造公司、博物馆、销售厅和主要私人收藏家提供咨询。他们共同编写了许多TASCHEN书籍，包括《1000把椅子》、《20世纪的设计》、《工业设计A-Z》、《1000盏灯》和《斯堪的纳维亚设计》。他们还编辑了TASCHEN的装饰艺术系列和12卷本的《domus 1928-1999》，近期还撰写了双卷本的《**收藏家汽车》。

多莫斯设计 1970-1979

精装，19.6 x 25.5厘米，2.00公斤，640页

ISBN：978-3-8365-9386-1

语言版本：英语

英文简介：

The best domus coverage of the 1970s, a crucial era where postmodernist tendencies were first detected, individuality in style and construction methods began to make its mark, and the global energy crisis pushed ecological awareness to the fore – featuring Renzo Piano, Richard Rogers, Kisho Kurokawa, and the groundbreaking Centre Georges Pompidou.

The Rise of Individuality and Ecological Awareness

Design and architecture turning points of the 1970s

Founded in 1928 as a “living diary” by the great Milanese architect and designer Gio Ponti, domus has been hailed as the world's most influential architecture and design journal. With style and rigor, it has reported on the major themes and stylistic movements in industrial, interior, product, and structural design.

This fresh reprint of the 1970s domus coverage brings together the most important features from an era marking seismic changes in architecture and design. It was a time when individualism gained momentum as a novel style, and we began to notice the first postmodernist tendencies. Faced with the global energy crisis, architects and designers imbued their methods with a new ecological awareness. For work to be featured in the magazine it had to offer function, spatial clarity, intellectual persuasion, relevant originality, and/or grace. Those groundbreaking projects and practitioners that made the cut include Shiro Kuramata, Verner Panton, Joe Colombo, Richard Meier, the modernist structures by Foster Associates and the Centre Georges Pompidou by Renzo Piano and Richard Rogers.

domus distilled

Seven volumes spanning 1928 to 1999

Over 4,000 pages featuring influential projects by the most important designers and architects

Original layouts and all covers, with captions providing navigation and context

Introductory essays by renowned architects and designers

Each edition comes with an appendix featuring texts translated into English, many of which were previously only available in Italian

A comprehensive index in each volume listing both designers' and manufacturers' names

The editor

Charlotte & Peter Fiell are well-known design authors having written over sixty books on the subject. Among their various areas of specialization is the realm of transportation design in all its diverse forms. The Fiells have lectured widely, guest taught courses, curated exhibitions, and consulted manufacturing companies, museums, salerooms, and major private collectors around the world. Together, they have written numerous TASCHEN books, including 1000 Chairs, Design of the 20th Century, Industrial Design A–Z, 1000 Lights, and Scandinavian Design. They also edited TASCHEN's Decorative Art series and the 12-volume domus 1928–1999 and have most recently authored the double-volume Ultimate Collector Cars.

domus 1970–1979

Hardcover, 19.6 x 25.5 cm, 2.00 kg, 640 pages

ISBN 978-3-8365-9386-1

Edition: English