中文简介：

从20世纪20年代到60年代，René Hubert（1895-1976）是服装设计师中的佼佼者。他为塔卢拉·班克黑德、英格丽·褒曼、马龙·白兰度、尤尔·布林纳、玛琳·黛德丽、费雯·丽、劳伦斯·奥利弗和玛丽莲·梦露最初的角色之一设计服装。秀兰·坦普尔在电影《卷毛头》中穿着Hubert设计的草裙套装跳草裙舞；格洛丽亚·斯万森与他的关系尤其密切，1924年她在巴黎遇到Hubert时，鼓励他搬迁到洛杉矶。Hubert同意了，并很快与导演雷内·克莱尔、阿尔弗雷德·希区柯克和奥托·普敏格合作，用他对华丽色彩和优雅线条的天赋提升了他们的明星。

Hubert的国际声誉帮助他在自己的祖国瑞士赢得了委托，其中非常引人注目的是1939年的瑞士国家展览，瑞士航空公司的制服和飞机内饰，以及各种剧院和纺织品公司。

这本图文并茂的出版物汇编了Hubert作品的草图、服装摄影、舞台照片和电影剧照。来自大西洋两岸的专家对他在瑞士、欧洲和美国的众多工作场所的多面性作品进行了思考。从他未发表的回忆录中摘录的内容，提供了他的生活和那个时代的魅力的个人观点。

英文简介：

From the 1920s to the 1960s, René Hubert (1895–1976) belonged to the crème de la crème of costume designers. He designed costumes for stars such as Tallulah Bankhead, Ingrid Bergman, Marlon Brando, Yul Brynner, Marlene Dietrich, Vivien Leigh, Laurence Olivier and Marilyn Monroe in one of her first roles. Shirley Temple danced the Hula in the film Curly Top wearing a grass skirt ensemble designed by Hubert; he was especially closely associated with Gloria Swanson, who encouraged him to relocate to Los Angeles when she met him in Paris in 1924. Hubert consented, and soon found himself working with directors René Claire, Alfred Hitchcock and Otto Preminger, elevating their stars with his flair for opulent color and elegant lines.

Hubert's international reputation helped him to win commissions in his native Switzerland, most notably for the Swiss National Exhibition in 1939, for Swissair uniforms and aircraft interiors, and for various theaters and textile companies.

This richly illustrated publication compiles sketches, costume photography, stage photos and film still of Hubert's work. Experts from both sides of the Atlantic reflect on his multifaceted oeuvre at his numerous workplaces in Switzerland, Europe and the US. Excerpts from his unpublished memoirs provide a personal view of his life and the glamor of the era.