A sweeping selection of Donald Judd's iconic and ambitious works alongside a diverse collection of newly commissioned writings.

One of the most significant American artists of the postwar period, Donald Judd rigorously experimented with color, form, material, and space. The works in this catalogue range from the artist's expansive installations to self-contained single units, yielding valuable new insights into his process and approach. The survey includes one of the artist's largest and most intricate installations of sixty-three wall-mounted plywood boxes, conceived in 1986. Other works include variations on some of Judd's most recognizable forms, executed in materials such as Cor-ten steel, plexiglass, copper, plywood, brushed aluminum, and enameled aluminum. Brilliant and exacting reproductions bring these works to life on the page. Following the artist's major retrospective at The Museum of Modern Art, New York, in 2020, this book serves as a companion volume.

With contributions from a wide range of voices―art historians, critics, writers, and performers― this publication includes rich new writings on Judd's oeuvre, art criticism, and enduring influence. Artworks: 1970–1994 is published on the occasion of the eponymous 2020 exhibition at David Zwirner, New York.

本书全面地介绍了唐纳德·贾德（Donald Judd）标志性的宏伟作品，并收集了不同的新文章。

唐纳德·贾德是知名的战后美国艺术家，他对色彩、形式、材料和空间进行了严格的实验。本书中的作品从艺术家的大型装置，到自成一体的单元，对他的过程和方法提出了宝贵的新见解。本次调查包括艺术家在1986年构思的最大、最复杂的装置之一，即63个壁挂式胶合板箱。其他作品包括贾德一些最易识别的形式的变体，使用的材料包括钢筋、有机玻璃、铜、胶合板、拉丝铝和搪瓷铝。辉煌而精确的图像让这些作品在页面上栩栩如生。本书可作为2020年纽约现代艺术博物馆举办艺术家的大型回顾展的配套读物。

本书收录了关于贾德作品、艺术批评和持久影响的丰富的新文章，这些文章来自艺术史学家、评论家、作家和表演者。《艺术作品：1970-1994》是在纽约大卫·茨维尔纳画廊举办的2020年同名展览之际出版的。