中文简介：
</span></div><div><span style="font-size: 24px;"><span style="font-family: "microsoft yahei";"><p>从1906年到1980年每年出版，装饰艺术，工作室年鉴
致力于建筑、室内装饰、家具的新潮流，
照明、玻璃器皿、纺织品、金属器皿和陶瓷。因为这些出版物
现在很难找到的年鉴已经绝版，已经成为
收藏家和交易商。</p>
<p>装饰艺术20世纪60年代在史无前亻列的十年中展望流行音乐的诞生
社会、性和政治变革。所有不安分的能量都在冒泡
世界各地在20世纪60年代进入了他们的设计风格
十年。空气中弥漫着解放的气息，人们纷纷奔向月球，而
天空是视觉创造力的极限。</p>
<p>生活方式的概念真正形成了，尽管早期的
在这十年里，制作精良的物品和
工业制造的民族和流行肖像终都有了
在审美上获得了同等的立足点。光也是影响造型的主要因素。
室内装饰。选择自由和个人表达自由是
年轻消费者，比如Panton，Sottsass，Paolozzi，Parisi，
萨尔帕内娃和洛马齐做了他们能做的事情。</p>
英文简介：
Published annually from 1906 until 1980, Decorative Art, The Studio Yearbook
was dedicated to the latest currents in architecture, interiors, furniture,
lighting, glassware, textiles, metalware, and ceramics. Since the publications
went out of print, the now hard-to-find yearbooks have become highly prized by
collectors and dealers.
Decorative Art 1960s looks at the birth of pop in a decade of unprecedented
social, sexual, and political change. All the restless energies bubbling
throughout the world during the 1960s made their way into the design style of
the decade. Liberation was in the air, men were rushing to the moon, and the
sky was the limit as far as visual creativity was concerned.
The concept of lifestyle really came into its own, and although the early
years of the decade still saw a rivalry between the well-crafted object and
the industrially manufactured, by its end both ethnic and pop iconography had
gained equal foothold in the aesthetic. Light was also predominant in shaping
interiors. Freedom of choice and personal expression were the buzzwords for
the young consumer, and so the likes of Panton, Sottsass, Paolozzi, Parisi,
Sarpaneva, and Lomazzi did what they could to oblige.
