《飞机》是一个结合了航空工业领域和摄影媒介惯例的项目。Maxime Guyon借助独特的航空机械碎片细致地剖析了各种技术物种，引导我们进行人类学的视觉研究。他的系列作品由大型航空航天题材的数码照片组成，经过特殊的光线处理，复制了广告摄影的代码。结合 "形式服从功能 "的原则和我们的后工业时代及其美学，这个项目重新开启了勒·柯布西耶在1935年《飞机：新视野》中首次提出的视觉讨论。

Aircraft is a project combining the field of the aviation industry as well as the conventions of the photography medium. Maxime Guyon meticulously dissects various techno-species with distinct aerial machinery fragments, leading us to an anthropological visual research. His series is composed of digital photographs of large-scale aerospace subjects, with a specific light treatment that replicates the codes of advertising photography. Combining the principle of 'form follows function' and our post-industrial era as well as its aesthetic, this project reopens a visual discussion that Le Corbusier first introduced in 1935 in Aircraft: The New Vision.