中文简介：
</span></div><div><span style="font-size: 24px;"><span style="font-family: "microsoft yahei";"><p>世界似乎分为爱猫和爱狗，但幸运的是
20世纪伟大的宠物摄影师沃尔特·钱杜哈发现自己
快乐地在中间。他同样喜欢这些有趣的生物
犭虫特的美和个人主义，并作为职业生涯中拍摄的主题
跨越70多年。在写他广受好评的TASCHEN书时
猫，Chandoha精心挑选了他喜欢的狗照片作为潜在的后续行动
标题，将数百张联系表、印刷品放入仔细标记的盒子中，
和彩色透明胶片，许多至少50年看不见，有些完全
看不见的。</p>
<p>昌杜哈于2019年不幸去世，享年98岁，但他的遗产依然存在
在这部献给人类好的朋友的风度翩翩的续集中。“沃尔特·钱多哈的
狗的照片之所以引人注目，不仅仅是因为狗有一种与生俱来的
魅力，但因为相机后面的人是他手艺的大师，”
摄影家让·戴克斯特拉在书的引言中写道。</p>
<p>我们看到猎犬、牧羊犬、比格犬、猎犬、贵宾犬、小狗、大狗，
展示犬、工作犬等，拍摄了60多个品种
黑白和辉煌的柯达彩色。</p>
<p>这本书跨越了50年的时间，分为六个部分，每个部分
一章揭示了Chandoha非凡的技术组合，多功能性，
和灵魂。开篇《在画室》侧重于形式肖像画；
接下来是“摆个姿势”，我们的犬类同伴为
相机；在《四处游荡》中，他们可以漫游和玩耍，经常和
Chandoha自己的孩子；接下来是“佳表演”，Chandoha用他的
捕捉广告狂人时代老式狗秀的报告文学技巧；在“尾巴
来自城市，“狗正在上世纪中叶纽约的街道；和
在后一章“乡村狗”中，它回到了自然、田野和
海滩。狗是对这些可爱和
忠诚的生物。</p>
英文简介：
The world appears to be divided into cat and dog lovers, but fortunately
Walter Chandoha, the 20th century’s greatest pet photographer found himself
happily in the middle. He loved these intriguing creatures equally for their
unique beauty and individualism, and as subjects to photograph in a career
spanning over 70 years. While working on his critically acclaimed TASCHEN book
Cats, Chandoha handpicked his favorite dog photos for a potential follow-up
title, putting into carefully marked boxes hundreds of contact sheets, prints,
and color transparencies, many unseen for at least 50 years, and some totally
unseen.
Chandoha sadly passed away in 2019 at the age of 98, but his legacy lives on
in this dashing sequel dedicated to man’s best friend. “Walter Chandoha’s
photographs of dogs are compelling not just because dogs have an inherent
charm, but because the person behind the camera was a master of his craft,”
writes the photography critic Jean Dykstra in the book’s introduction.
We see terriers, collies, beagles, bloodhounds, poodles, small dogs, big dogs,
show dogs, working dogs, and many more, featuring over 60 breeds photographed
in both black-and-white and glorious Kodachrome.
Spanning a 50-year period, the book is divided into six sections, and each
chapter reveals Chandoha’s exceptional combination of technique, versatility,
and soul. The opening chapter “In the Studio” focuses on formal portraiture;
next it’s “Strike a Pose” where our canine companions ham it up for the
camera; in “Out and About” they get to roam and play, often photographed with
Chandoha’s own children; next it’s “Best in Show” with Chandoha using his
reportage skills to capture vintage dog shows from the Mad Men era; in “Tails
from the City,” the dogs are hitting the streets of mid-century New York; and
in the closing chapter “Country Dogs,” it’s back to nature, the fields, and
the beaches. Dogs is an unleashed photographic tribute to these lovable and
loyal creatures.
