从家具和展览设计到巨大的国内和公共建筑项目，这本插图丰富的书展示了Lina Bo Bardi的各种涉及多学科的作品。

本书全面记录了Bo Bardi处理艺术和建筑的首要方法，并展示了她的展览设计，策展项目和写作如何渗透在她的空间设计中。关于Bo Bardi的生活和作品的短文和档案资料放在一起，诸如这位艺术家的设计草图和文字作品，从而对这位激进的思想家和创作者的项目背后的构思过程和物质过程提供了新的见解。

From furniture and exhibition design to monumental domestic and public architectural projects, the breadth of Lina Bo Bardi's multidisciplinary work is showcased in this richly illustrated book.

Lina Bo Bardi is regarded as one of the most important architects in Brazil's history. Beginning her career as a Modernist architect in Rome, Bo Bardi and her husband emigrated to Brazil following the end of WWII. Bo Bardi quickly resumed her practice in her adopted homeland with architecture that was both modern and firmly rooted in the culture of Brazil. In 1951 she designed "Casa de Vidro" ("Glass House"), her first built work, where she and her husband would live for the rest of their lives. She also designed the Museu de Arte de São Paulo (São Paulo Art Museum), a landmark of Latin American modernist architecture which opened in 1968. It was for this museum she created the iconic glass easel display system, which remains radical to date. This book presents a comprehensive record of Bo Bardi's overarching approach to art and architecture and shows how her exhibition designs, curatorial projects, and writing informed her spatial designs. Essays on Bo Bardi's life and work accompany archival material such as design sketches and writings by the artist, giving new insight into the conceptual and material processes behind this radical thinker and creator's projects.