在这这本精雕细琢，可以建造自己的纸城的书中，伦敦的天际线栩栩如生。

《伦敦Citygami》是一个手工艺品项目，一个立体模型，一项建筑研究以及完成后的独立艺术品。受世界上最伟大的建筑城市之一的启发，“发条士兵”创造了一种独特的体验，使读者可以复制伦敦最**的建筑，同时还可以深入了解每座建筑的历史和意义。在此，在冲切，预折叠的卡片纸页面上展示了碎片大厦，塔桥，圣保罗大教堂，伦敦眼和和其他大型建筑的比例模型。清晰，易于上手的说明向您展示了如何组装每栋建筑物。伴随模型的是一套可分离的建筑物卡片，使读者可以通过比较有关大型建筑的事实和数字来相互竞争。最重要的是，每栋建筑物建成后，便会得到非可随时展示的伦敦城市景观。

This study is the first to examine the relationship between art and violence in 15th-century Florence, exposing the underbelly of a period more often celebrated for enlightened and progressive ideas. Renaissance Florentines were constantly subjected to the sight of violence, whether in carefully staged rituals of execution or images of the suffering inflicted on Christ. There was nothing new in this culture of pain, unlike the aesthetic of violence that developed towards the end of the 15th century. It emerged in the work of artists such as Piero di Cosimo, Bertoldo di Giovanni, Antonio del Pollaiuolo, and the young Michelangelo. Inspired by the art of antiquity, they painted, engraved, and sculpted images of deadly battles, ultimately normalizing representations of brutal violence. Drawing on work in social and literary history, as well as art history, Scott Nethersole sheds light on the relationship between these Renaissance images, violence, and ideas of artistic invention and authorship.