在包豪斯成立一百年后，是时候重新审视这场非常**的现代艺术运动的重要书面证明——《包豪斯杂志》了。在这本从1926年至1931年定期发行的杂志中，能听到这场运动最重要的声音：Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy和Oskar Schlemmer等包豪斯的教师们, 以及 Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld等人。他们讲述了包豪斯内部及其周围的发展，他们自身的教学方法和重点，以及学生和硕士们当前的项目。这个重印的影印版旨在为关于包豪斯、其理论和设计的国际讨论和研究提供新动力。所有单期的精确复制品都附有一个评论性的小册子，包括内容概述、所有文本的翻译，以及一篇将这本杂志置于其历史背景下的学术性文章。

One hundred years after the founding of Bauhaus, it s time to revisit bauhaus journal as significant written testimony of this iconic movement of modern art. In this journal, published periodically from 1926 to 1931, the most important voices of the movement are heard: masters of the Bauhaus, among others, Josef Albers, Walter Gropius, Wassily Kandinsky, Paul Klee, László Moholy-Nagy, and Oskar Schlemmer, as well as Herbert Bayer, Marcel Breuer, Ludwig Mies van der Rohe, Gerrit Rietveld and many more. They address the developments in and around the Bauhaus, the methods and focal points of their own teaching, and current projects of students and masters. The facsimile reprint is intended to give new impetus to international discussion and research on the Bauhaus, its theories and designs. The exact replica of all individual issues are accompanied by a commentary booklet including an overview of the content, an English translation of all texts, and a scholarly essay which places the journal in its historical context.